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Ariel Artur Cinematographer

Invincible

Invincible

Directed by Emma Croft
Written by Torben Betts
Featuring Laura Howard, Samantha Seager, Daniel Copeland, Torben Betts
Vince Films

 

 

featured work

Dylan Edwards on a mid-wide shot from the feature film Tyger, filmed with Canon EOS C500 Mark II 5.9K Full Frame and Sigma FF Classic Prime lenses by London Cinematographer / DoP Ariel Artur.

Tyger

Cinematography by London DoP / Cinematographer Ariel Artur for the narrative short film White Rabbit. Shot on RED V-Raptor 8K FF and Vintage Helios Lenses.

10 Swords & The Moon

Cinematography by London DoP / Cinematographer Ariel Artur for the short film The Sands of Time. Shot on Canon Cinema Cameras with Fogal champagne netting behind the lens.

Touching Love

Profile shot from the narrative short film A Watchmakers Wish, filmed with RED V-Raptor by London Cinematographer / DoP Ariel Artur.

A Watchmaker’s Wish

Shot with heavy haze from the short film The Golden Temple, filmed with RED V-Raptor by London Cinematographer / DoP Ariel Artur.

The Golden Temple

Amelia Eve on a shot from the feature film The Darkness, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

The Darkness

Trouble Will Find Us

White Rabbit Short Film Ariel Artur Cinematographer / Director of Photography based in London

White Rabbit

Black and White wide shot from the narrative film Three Fat Men, filmed by London Cinematographer Ariel Artur. Noir Lighting.

The Three Fat Men

Boy Blue

Brothers

Invincible

Black and white mirror shot from the short film Fade, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

Fade

Bone by Bone

Good Boy

Low angle dutch shot from the feature film The Ant Farm, filmed with Canon Cinema Cameras and Schneider-Kreuznach's Xenon FF Prime lenses by London Cinematographer / DoP Ariel Artur.

The Ant Farm

Black and white shot with negative space from the feature film The New Normal, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur, graded by Michał Herman.

The New Normal

2.0 Lucy

Low angle shot from the short film Team Building filmed with RED V-Raptor by London Cinematographer / DoP Ariel Artur.

Team-Building

A Certain Night

The Underdog

Silhouette shot from the feature film Wolf Garden, filmed with RED V-Raptor by London Cinematographer / DoP Ariel Artur.

Wolf Garden

Counter-zoom shot from the short film Midnight Pharmacy, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

Midnight Pharmacy

Chasing Shadows Feature Film DoP Ariel Artur Cinematographer / Director of Photography based in London

Chasing Shadows

Loves Spell Feature Film DoP Ariel Artur Cinematographer / Director of Photography based in London

Loves Spell

The Sands of Time Short Film DoP Ariel Artur Cinematographer / Director of Photography based in London

The Sands of Time

Black and white mirror shot from the short film El Ultimo Beso, filmed with Canon Cinema Cameras and Cokin B&W filters by London Cinematographer / DoP Ariel Artur.

El Ultimo Beso

On the Other Foot Feature Film DoP Ariel Artur Cinematographer / Director of Photography based in London

On the Other Foot

Medium black and white shot from the short film Razzmartazz, filmed with Canon Cinema Cameras and Cokin B&W filters by London Cinematographer / DoP Ariel Artur.

Razzmatazz

Borderline Feature Film DoP Ariel Artur Cinematographer / Director of Photography based in London

Borderline

© Ariel Artur 2026 London-based DoP | Cinematographer | Director of Photography