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Ariel Artur Cinematographer

Brothers

Brothers

Directed by Adam Merriman
Produced by Ali Haidery

Close-up shot from the short film Brothers, filmed with Canon EOS C500 Mark II 5.9K Full Frame and Atlas Orion Anamorphic lenses by London Cinematographer / DoP Ariel Artur.
Medium shot from the short film Brothers, filmed with Canon EOS C500 Mark II 5.9K Full Frame and Atlas Orion Anamorphic lenses by London Cinematographer / DoP Ariel Artur.
Ground level shot from the short film Brothers, filmed with Canon EOS C500 Mark II 5.9K Full Frame and Atlas Orion Anamorphic lenses by London Cinematographer / DoP Ariel Artur.
Two-shot from the short film Brothers, filmed with Canon EOS C500 Mark II 5.9K Full Frame and Atlas Orion Anamorphic lenses by London Cinematographer / DoP Ariel Artur.

featured work

Dylan Edwards on a mid-wide shot from the feature film Tyger, filmed with Canon EOS C500 Mark II 5.9K Full Frame and Sigma FF Classic Prime lenses by London Cinematographer / DoP Ariel Artur.

Tyger

Shot from the feature film 10 Swords and the Moon, filmed with RED V-Raptor by London Cinematographer / DoP Ariel Artur.

10 Swords & The Moon

Cinematography by London DoP / Cinematographer Ariel Artur for the short film The Sands of Time. Shot on Canon Cinema Cameras with Fogal champagne netting behind the lens.

Touching Love

Profile shot from the narrative short film A Watchmakers Wish, filmed with RED V-Raptor by London Cinematographer / DoP Ariel Artur.

A Watchmaker’s Wish

Shot with heavy haze from the short film The Golden Temple, filmed with RED V-Raptor by London Cinematographer / DoP Ariel Artur.

The Golden Temple

Amelia Eve on a shot from the feature film The Darkness, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

The Darkness

Wide shot from the feature film Trouble Will Find Us, filmed with Canon Cinema Cameras in 4:3 aspect ratio by London Cinematographer / DoP Ariel Artur.

Trouble Will Find Us

Shot from the short film White Rabbit, filmed with RED V-Raptor and Vintage Helios Lenses by London Cinematographer / DoP Ariel Artur.

White Rabbit

Black and White wide shot from the narrative film Three Fat Men, filmed by London Cinematographer Ariel Artur. Noir Lighting.

The Three Fat Men

Shot from the short film Boy Blue, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

Boy Blue

Dawn shot from the short film Brothers, filmed with Canon EOS C500 Mark II 5.9K Full Frame and Atlas Orion Anamorphic lenses by London Cinematographer / DoP Ariel Artur.

Brothers

Shot from the feature film Invincible, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

Invincible

Black and white mirror shot from the short film Fade, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

Fade

Medium low angle shot from the short film Bone by Bone, filmed with RED V-Raptor by London Cinematographer / DoP Ariel Artur.

Bone by Bone

Medium shot from the short film The Good Boy, filmed with RED V-Raptor and Atlas Orion Anamorphic lenses by London Cinematographer / DoP Ariel Artur.

Good Boy

Low angle dutch shot from the feature film The Ant Farm, filmed with Canon Cinema Cameras and Schneider-Kreuznach's Xenon FF Prime lenses by London Cinematographer / DoP Ariel Artur.

The Ant Farm

Black and white shot with negative space from the feature film The New Normal, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur, graded by Michał Herman.

The New Normal

Shot from the feature film Lucy 2.0, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

Lucy 2.0

Low angle shot from the short film Team Building filmed with RED V-Raptor by London Cinematographer / DoP Ariel Artur.

Team Building

Shot from the short film A Certain Night, filmed with RED V-Raptor by London Cinematographer / DoP Ariel Artur.

A Certain Night

Shot from the feature film The Underdog, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

The Underdog

Silhouette shot from the feature film Wolf Garden, filmed with RED V-Raptor by London Cinematographer / DoP Ariel Artur.

Wolf Garden

Counter-zoom shot from the short film Midnight Pharmacy, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

Midnight Pharmacy

Close-up shot from the feature film Chasing Shadows, filmed with ARRI Alexa and Zeiss lenses by London Cinematographer / DoP Ariel Artur.

Chasing Shadows

Shot from the feature film Loves Spell, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

Loves Spell

Wide two-shot from the short film The Sands of Time, filmed with Canon Cinema Cameras and Fogal champagne nettings by London Cinematographer / DoP Ariel Artur.

The Sands of Time

Black and white mirror shot from the short film El Ultimo Beso, filmed with Canon Cinema Cameras and Cokin B&W filters by London Cinematographer / DoP Ariel Artur.

El Ultimo Beso

Shot from the feature film On The Other Foot, filmed with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

On the Other Foot

Medium black and white shot from the short film Razzmartazz, filmed with Canon Cinema Cameras and Cokin B&W filters by London Cinematographer / DoP Ariel Artur.

Razzmatazz

Shot from the feature film Borderline, filmed in Italy with Canon Cinema Cameras by London Cinematographer / DoP Ariel Artur.

Borderline

© Ariel Artur 2026 London-based DoP | Cinematographer | Director of Photography